Detail from a powder horn, Jamaica, ca. Paving tile, England, fourteenth century. Red brick with pipe-clay inlay. Decorated with a mermaid holding a fish, this tile is part of the floor of the library at Litchfield Cathedral. Photo, courtesy W. Paving tiles. Left: Netherlands, ca.
Hand painted Delft tiles are beautiful miniature pieces of art that can sell for hundreds of dollars. Without prior knowledge it can be difficult to date and value them yourself. Blue and white are the colours most commonly associated with Delft tiles, however this is not always the case.
Find dutch tile stock images in HD and millions of other royalty-free stock photos, Close up of antique tin glazed blue Delft wall tiles dating from about
Faience was made throughout Europe, yet until around , anything that looked typically Dutch was labeled Delftware. It was not until between and that a reasonable distinction was made between Dutch, German and Scandinavian material. The cities of Arnhem, Amsterdam, Rotterdam and Utrecht were also important hubs for the faience industry. Each of these cities, along with Harlingen, had a thriving tile industry around the mids. Besides tiles, several factories also produced tile pictures.
During the same period, around , the faience industry in the city of Delft flourished. However, by , the Delftware potters were affected by a downturn in the economy. Sales lagged with competition from Chinese imports and porcelain from Saxony, and Delft potters tried to combat overproduction by buying and closing factories. The tile industry was similarly transformed; towards the end of the seventeenth century, the use of decorated tiles in new town houses declined.
The tile factories in Amsterdam and Rotterdam were among the few to survive, mostly because they had switched to large-scale tile and tile-picture production. Around , these producers began making faience because they had the skill in place to support a new venture. Indeed, the former tile makers may have been better equipped to paint large objects than their Delft colleagues.
Thousands of high quality images of works of art, photography and design from more than Dutch museums, archives and libraries. Delft Tiles featuring figures from the Douglas Watson Studio. Ontdek de online collecties van erfgoedinstellingen. Geheugen van Nederland voert je langs bekende en onbekende verhalen uit ons digitaal erfgoed.
This is a sweet antique Dutch tile dating from around and depicting a Stork bird.
See e.g. large figure decor, broom maker; blue; Delft; typical of the period between For an approximate dating of Dutch tiles the following distinquished marks.
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Did you know? Mosa is the only company that designs, develops and produces tiles in the Netherlands. In fact, the Netherlands used to thrive on ceramic tile manufacturing. What happened to all those Dutch tile producing companies?
Delftware or Delft pottery, also known as Delft Blue (Dutch: Delfts blauw), is a general term now The Delft potters also made tiles in vast numbers (estimated at eight hundred million) over a period of two hundred years; many Dutch houses.
These high-quality Dutch ceramic tiles are for the most part incorporated in a room of the Robert Moawwad Museum, originally the dining room of the Pharaon house. Others are in two places on the upper floor. They are decorated, using several shades of cobalt blue on a white background, with bouquets set in vases, at the centre, and single flowers positioned diagonally in the corner of each tile.
Ten or so models of bouquets can be observed, inspired by sixteenth century and seventeenth century engravings of flowers. Certain vases were identified as Chinese vases exported during that period to Europe, while others were manufactured locally. It seems that very few similar tiles remain in the Netherlands. The closest are those of Het Loo Palace, near Amersfoort, built in The Beirut tiles come from the Bassili House in Alep where a few are still to be found in the entry courtyard.
According to John Carswell, other Dutch tiles from the same period were present in Alep, in an Ottoman home in the citadel and in the Greek Orthodox church at Jdeideh. All of them belonged to a series of faiences produced in the Netherlands from the second half of the seventeenth century, influenced by the large-scale importation of Chinese porcelains by the East India Dutch Company.
Several factors contribute to determining when and where an antique Dutch tile was made, including: the type of clay used, the thickness and texture of the tile — early tiles are usually thicker and rougher than later versions — the glaze, the subject of the design, and the maker’s marks. Rare tiles command the highest prices, but with few exceptions, the names of most historical ceramicists are unknown. The Dutch tile industry began in the 16th century in Antwerp, a thriving port with a diverse population that included many residents from other countries, including potters from Italy.
Their work included tiles in vivid colors of blue, green, purple, yellow-orange and an orange-like brown. Each individual tile surface displayed a design that was part of a larger pattern consisting of four or 16 tiles.
Random tiles appear at most antique shops in larger Dutch cities and towns, most genuinely dating from the 17th century in a variety of.
Hand Painted Tiles. Faience Tiles. Delft Porcelain. Painted Tiles. Cherub Art. Delft Blue And White. Glazed Ceramic Tile. The elegant antique ceramic tiles were created in France, circa Each wall decor is set inside a carved oak frame, and features six hand painted porcelain faience tiles with ill View Full Details. H 13 in.
New in XXL site Delftsaardewerk. Outstanding art tours in the Rijksmuseum, Amsterdam and in Delft. Each independent Delft blue faience workshop required an extensive and complicated array of buildings and specialized trained personnel.
Oct 18, – An antique Dutch Delft polychrome tin glazed tile dating circa .
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Imagine yourself a velvet-dressed gentleman, your boot tops frothy with lace, lounging around Amsterdam in Consider the same old round of furry- footed horses and snaggle-toothed milkmaids cluttering up your life day in, day out. The most exciting thing to happen since had been the introduction of a flaming lantern on every 12th house to stop hapless idiots plunging into the growing networks of canals in the gloom.
Traders, merchants and naval adventurers in a relatively young city being dug from the slimy peat, the Netherlanders were hungry for new motifs, materials, even splinter-sized glimpses of the exotic lands ploughed by the East and West India Company VOC and GWIC respectively. If you visit Holland today — distinct as a region in the Kingdom of the Netherlands — everywhere you go, the main tourist bait is quaint blue and white delft pottery, much of it not made at Delft at all, but in the many surviving factories from all over the low countries.
Still, my sneering attitude towards delft was challenged last week on a long cultural tramp around Amsterdam. The Rijksmuseum, the majestic national museum of the Netherlands, has a dimly lit gallery glittering with early polychrome delft including hilarious super-sized animals and magnificent dinner ware, with quality and invention enough to make anyone laugh out loud. The exhibits include weighty sets of kast-stel jars that would have been used to brighten up, impress and serve family and guests in wealthy households.
Gorgeous tulip vases and stacked pyramids of as much as a metre high in polychrome colours of red, orange, blue and green, were intended to stage the obsessive interest of the Dutch with single rare blooms grown from bulbs from the east. At the Rembrandt Museum Het Rembrandthuis on Jodenbreestraat, I really started to love the stuff, especially the tiles in delft. Blue and white crazed tiles with late 16th century Spanish inspired decoration cover the walls in the kitchen and frame out the grand fireplaces where the master received his clients and flogged his work and that of his circle of close friends between Delft, a tin-glazed earthenware that crucially was waterproof enough for liquids and the splashes of a kitchen or washroom, was first produced in Antwerp in
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By Chloe Baker Dutch Delft tiles are a unique example of colonial Dutch art that was both decorative They date to between and
Determination of age. Even the kind of the centre motif and the design of the corner motifs can give some indications to the age of a tile,. See e. Two landscape tiles with similar motif: horseman and barking dog at the verge, differently finished; both with ox-head corner motif; Rotterdam: left of the period from to ; 12,8 x 12,8 x 1,0 cm; right of the period from to ; 13,1 x 13,1 x 0,9 cm.
For an approximate dating of Dutch tiles the following distinquished marks – beneath the nail holes see the link “Production Process” – should be checked :. Colour of earthenwar or back of tiles.
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9-dec – Antique Dutch Delft tile with Cupid leaning on a stick, 17th century.
Links to the collection: 1. Copper engravings d. Five of the 30 different non-biblical tiles in the Saba-collection LINK Actually more can be seen lower on this webpage. Collection of the late Miss Vera H. Caderius van Veen. Intro Mentioning tiles and pottery from the Netherlands half the world think s immediately “Delft”. This is very wrong and that’s especially true for tiles. There were tile factories in Antwerp , Middelburg , Haarlem , Delft , Amsterdam , Dordrecht and even before also in Rotterdam and later also in Gouda, Leiden, Utrecht , Enkhuizen, Hoorn and in many places in the province of Friesland such as in Harlingen, Makkum and Bolsward which produced and much more then and were even more famous than Delft and exported to most of western Europe and also to North Africa, Indonesia and Brazil and The oldest Dutch tiles exhibited here are from around and many of them are from Friesland.
This is partly because my aunt landed after an evacuation at the end of World War II in Leeuwarden, the capital of Friesland. Developments The production was actually only wall tiles decorative tiles In the beginning, especially the examples from Italy and Spain have been followed in terms of motifs and images.